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Burnt Sienna
Color Shop / Earthly Reds / Burnt Sienna
Burnt Sienna
Photo: ©Nina Baisch. Text: Katrin Trautwein, 2025 ©ktCOLOR.
Red earth colors, which are primarily composed of rich, red iron oxides, belong to the most important pigments throughout history. The ready availability and the powerful color shades of red iron oxide led to its widespread use in the most beautiful paintings and magnificent architecture of all eras. From around 1910, iron filings, a waste product of the rapidly growing chemical industry, were increasingly used as a raw material. After 1950, the synthetic iron oxide pigments produced from these filings almost completely replaced the more luminous natural pigments. Eileen Gray used this color in E.1027. Artists such as Le Corbusier appreciated this burnt Siena so much that they did not switch to the less expensive, less luminous industrial pigments as long as they could find suppliers who still offered natural pigments. This deep color emphasizes the volume it is used on, but it does not deconstruct the space. There are no natural colors or materials that do not harmonize with Terre de Sienne brûlée.
Aesthetic Excellence: Why choose ktCOLOR Earthy Reds
- Timeless elegance that transcends trends. - Exclusive natural earth pigments of volcanic origin. - An expression of nature's eternal beauty. - Handcrafted from rare pigments. - Exceptionally long-lasting and consistent. - Versatile and always stylish.

43KT04 Burnt Sienna

The powerful earthy red made from a pigment called Siena

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Menge

kg

Ausreichend für ca. 4 m²

Grundierung

Die Grundierung bereitet den Untergrund optimal auf den Anstrich vor – sie festigt poröse oder kreidende Flächen, reguliert die Saugfähigkeit und sorgt auf glatten Oberflächen für zuverlässige Haftung. kontaktieren Sie uns, wenn Sie eine Grundierung benötigen.

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Sofort verfügbar, Lieferzeit 2-6 Werktage

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Finish Informationen

Emulsion

Die kt.COLOR Emulsion ist eine wasserbasierende, diffusionsoffene Farbe auf mineralischer Stoffgrundlage aus natürlichen Pigmenten. Sie ist ideal für die Gestaltung von Räumen für höchste ästhetische Ansprüche.

Satinée

Die kt.COLOR Satinée Farbe ist eine wasserbasierte, matte Premium-Farbe für Wand- und Deckenflächen, Holzwerk und Metall im Innen- und Außenbereich. Besonders geeignet für den Einsatz in Bereichen mit hoher Beanspruchung.

kt.LACK

kt.LACK ist eine premium Lackfarbe für professionelle Beschichtungen auf grundierten Holzbauteilen, grundiertem Metall und Möbelflächen im Innenbereich.

Primer Informationen

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Primer 1

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Primer 2

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Primer 3

Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam.

Experts in color making

The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself.

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How our colors are made

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue

Experts in color making

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue