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Ivory Black
Color Shop / Black Shades / Ivory Black
Ivory Black
Foto: ©Alistair Overbruck, Kunsthalle Tübingen. Zitat: David Sylvester: About Modern Art. NY, 1997, S. 397. Text: Katrin Trautwein ©ktCOLOR 2025.
Blacking agents, i.e. charcoal obtained from animal and plant remains, are ancient colorants. Vegetable blacks are made from various wastes such as vines, fruit stones, nutshells, coffee grounds, chestnuts, cork waste and bark, while animal blacks are made from bones. Artists favored noir ivoire or “ivory black”, a romantic name for bone blackening. Its opacity, rich depth and velvety effect are remarkable and for the abstract expressionists it was a sacred color. "It was their lapis lazuli; they made a mystique of it, partly because of its austerity, partly perhaps because there was soemthing macho in being able to produce a good strong black,” writes David Sylvster. Jackson Pollack, Rembrandt and Le Corbusier used this particular black. It is like jet-black velvet and astonishing in its depth. No color is as absolute in its withdrawal, so that everything in the foreground unfolds a phenomenal luminosity.
Ultimate Sophistication: ktCOLOR's Black Shades for Your Designs
ktCOLOR's black paints are a class apart, crafted with natural pigments like volcanic ash to deliver unparalleled depth, richness, and sustainability. For authoritative designs of great elegance, these exceptional hues with a velvety, luxurious finish are the gold standard. For designs both subtle and bold, understated yet impactful, there is no better selection than the 16 ktCOLOR blacks.

43KT05 Ivory Black

Profoundly deep: the blackest black in nature.

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Menge

kg

Ausreichend für ca. 4 m²

Grundierung

Die Grundierung bereitet den Untergrund optimal auf den Anstrich vor – sie festigt poröse oder kreidende Flächen, reguliert die Saugfähigkeit und sorgt auf glatten Oberflächen für zuverlässige Haftung. kontaktieren Sie uns, wenn Sie eine Grundierung benötigen.

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Sofort verfügbar, Lieferzeit 2-6 Werktage

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Finish Informationen

Emulsion

Die kt.COLOR Emulsion ist eine wasserbasierende, diffusionsoffene Farbe auf mineralischer Stoffgrundlage aus natürlichen Pigmenten. Sie ist ideal für die Gestaltung von Räumen für höchste ästhetische Ansprüche.

Satinée

Die kt.COLOR Satinée Farbe ist eine wasserbasierte, matte Premium-Farbe für Wand- und Deckenflächen, Holzwerk und Metall im Innen- und Außenbereich. Besonders geeignet für den Einsatz in Bereichen mit hoher Beanspruchung.

kt.LACK

kt.LACK ist eine premium Lackfarbe für professionelle Beschichtungen auf grundierten Holzbauteilen, grundiertem Metall und Möbelflächen im Innenbereich.

Primer Informationen

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Primer 1

Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam.

Primer 2

Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam.

Primer 3

Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam.

Experts in color making

The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself.

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How our colors are made

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue

Experts in color making

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue