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Prussian Blue
Color Shop / Blue and Turquoise Shades / Prussian Blue
Prussian Blue
Foto: ©Schweizer Architektur Museum. Text: Katrin Trautwein, 128 Farben, 2010 ©Birkhäuser Verlag GmbH, Basel. Literatur: Erich Stock, Die Grundlagen des Lack- und Farbenfachs, Band IV, Meissen 1924, S. 99–100.
In 1704 in Berlin, a color chemist named Johann Jacob Diesbach was experimenting with liquids that he had mixed using a familiar recipe. Instead of getting the expected carmine red, a deep blue color resulted. It was so beautiful that he decided to research its basis. He discovered that the inexpensive potash he was using was contaminated with blood traces, and the iron gave rise to the new pigment. Prussian blue conquered artists’ hearts immediately, as the paints made with it are exquisite.
What Sets ktCOLOR's Blues Apart from All the Others
The ktCOLOR blue shades of color are made from natural and rare mineral pigments in our artisan paint workshop in Switzerland. They have a distinctive color depth, reminiscent of the beautiful blue hues found in the sky, in lakes and the ocean. Choose ktCOLOR blue paint colors for sustainability and for aesthetically pleasing surfaces in your projects. You will be delighted to see how they reflect the beauty of nature in your spaces.

04KT003 Prussian Blue

A deep blue secret, like the ocean and the midnight sky.",

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Menge

kg

Ausreichend für ca. 4 m²

Grundierung

Die Grundierung bereitet den Untergrund optimal auf den Anstrich vor – sie festigt poröse oder kreidende Flächen, reguliert die Saugfähigkeit und sorgt auf glatten Oberflächen für zuverlässige Haftung. kontaktieren Sie uns, wenn Sie eine Grundierung benötigen.

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Sofort verfügbar, Lieferzeit 2-6 Werktage

MwSt. exkl.

Finish Informationen

Emulsion

Die kt.COLOR Emulsion ist eine wasserbasierende, diffusionsoffene Farbe auf mineralischer Stoffgrundlage aus natürlichen Pigmenten. Sie ist ideal für die Gestaltung von Räumen für höchste ästhetische Ansprüche.

Satinée

Die kt.COLOR Satinée Farbe ist eine wasserbasierte, matte Premium-Farbe für Wand- und Deckenflächen, Holzwerk und Metall im Innen- und Außenbereich. Besonders geeignet für den Einsatz in Bereichen mit hoher Beanspruchung.

kt.LACK

kt.LACK ist eine premium Lackfarbe für professionelle Beschichtungen auf grundierten Holzbauteilen, grundiertem Metall und Möbelflächen im Innenbereich.

Primer Informationen

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Primer 1

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Primer 2

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Primer 3

Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam.

Experts in color making

The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself.

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How our colors are made

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue

Experts in color making

The pigment ultramarine, meaning "beyond the sea," was originally derived from the semi-precious gemstone lapis lazuli. The finest lapis stones were sourced from Afghanistan, a region beyond the Mediterranean, inspiring its name. This deep, magical blue can also be synthesized using China clay, calcite, and sulfur, resulting in a purer, more vibrant shade. Today, many iconic works of art rely on this synthetic, mineral-based pigment. The luminous blue vaulted ceiling of the Scrovegni Chapel in Padua was created with natural ultramarine, a hue so radiant it seems to emit light from the vault itself. Similarly, Karl Friedrich Schinkel's stage design for the Queen of the Night's Hall in Mozart’s The Magic Flute (1816) was crafted using lapis lazuli. In the 1950s, Yves Klein’s monochrome masterpieces made synthetic ultramarine blue